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"Her forms- they're too wide to be called lines, too resilient to be bars- slope and shimmy in a way that recalls Ingres' exacting contours. Ms. Chermayeff refines the musicality of the body's rhythms and processes most compellingly."
MARIO NAVES
New York Observer |
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Small Black and Blue Mark 2006 woodblock ink on paper 11 x 9 inches
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Exhibited FLOW, Kleinert-James Woodstock, NY |
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